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There are seven images in this series. Five will show what each light does on its own, one will show all of the lights together, then the final image will show a wide shot showing the light placement around the subject.
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| This first image shows just the background light. This light illuminates the background only and will keep any dark clothing that the subject may be wearing or her dark hair from blending in with the background. It also removes any shadows that may be cast from the main or fill lights. |
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| This second image shows what the hair light does, which is illuminating the hair! It is above and behind the subject aimed down and will keep the hair looking healthy. A soft box could also be used. A small amount of spill on the shoulders is permissable but should be avoided if possible. |
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The third light is the kicker light (also known as the accent light or garlic light) and "kicks" some light onto the side of the subject's dark hair opposite of the main light side. This light should "connect" with the hair light and the main light so the hair is lit from all sides (wrap around lighting) and will make the subjects hair look great and keep it from blending in with a dark background.
It is also used on males to just graze the side of his face (it is called "Clint Eastwood" lighting when used in this fashion) and will outline the masculine jaw. It is occasionally used on women in the same fashion and for the same purpose. It should "kiss" the subject, not blast them, and when used as a kicker on long haired women should not encroach onto the cheek, nose, shoulder or chest. |
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| The fourth light is the main light. The main light provides contrast from one side of the face to the other because it is more powerful than the fill light and will cast a shadow onto the opposite side. It should only illuminate the subject. A broad light source (such as a softbox) will cast a soft shadow. A hardlight source (such as a straight 16 inch parabolic reflector) will cast a harder shadow. The closer the light source is to the subject the softer the light appears. |
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| The last light is the fill light. The fill light is a broad light source usually placed behind the photographer and fills in the shadows. This light should provide illumination to everything the lens of the camera will "see." This light will guarantee that your blacks will register with detail on your print. The fill should follow the nose. A fill metered at 2 stops less than the main will give you approximately a 3 to 1 ratio of highlight to shadow. |
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| This is what the final image looks like when all of the above lights are used at the same time! I also posed her properly with the feminine head tilt. |
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| A wide angle shot. I stood behind the fill light to get this shot. Beginning at camera left, you can see the aluminum light stand that holds the fill light which just ahead of me and the extreme right edge of the 62 inch umbrella can be seen at the top left of this image (it is black.) The next light at camera left as the main light and is at the subject's right up high aimed down. It is the black soft box and has louvers (which cannot be seen.) The next light is above and behind the subject which is the hair light. It is snooted to prevent light from spilling onto the shoulders. The last light is the kicker light which you can see on a stand at camera right rear beside the background. It also is snooted to keep the light exactly where it is aimed. In both the kicker and hair lights I have honeycombs which force the light to go in a straight line instead of spreading out. |
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Benji's Book Posing and Lighting My full color 8.5 x 11 inch glossy 44 page book on how to pose and light the high school senior girl is in my hands are ready to be shipped. It has 44 different poses in it, including head and shoulders, waist up, 3/4 and full length poses. Twenty six poses are shown without a prop, most of the rest of the poses are with chairs that can be bought locally in a second hand furniture store (or new!) I also show a steel "school" chair that I have modified, and I've included instructions how to do it. Four pages of lighting diagrams and five wide angle shots showing the entire scene, then the actual close up shot of that same image so you can see just what the heck the rest of her body is doing to get that great close up shot! LOTS of posing and lighting tips in easy to understand language. Poses for the larger gal as well as the size 6 senior are shown. This is a "lay flat" book that you can show to your client and let her choose what she likes thereby eliminating poses that will not sell. Benji's Video Photographing The High School Senior in the New Millennium Over 45 minutes long and jam packed with lots of good instruction on posing and lighting for the high school senior girl. How to get beautiful indoor lighting for head and shoulders portraits, 3/4 length and full length poses. All of this and lots more are covered, most showing exactly what I do to get the shot. I show in several of the images what problems will crop up when YOU attempt this pose and what you need to do to correct it. The exact placement of the lights to get these shots is also covered in detail. Outdoor poses are covered also. Perfect exposure quickly and easily whether you are shooting digital or film. This is the instructional video for you. You have already experienced my easy to understand style of teaching in my tutorials found here and several of them are included in this video also.How to order:
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